Late final month, New-York-based artist Anna Weyant’s ‘Falling Girl’ offered at a Sotheby’s public sale for $1.6 million, far past the estimated value. The sale got here days after Weyant’s 2020 portray ‘Summertime’ fetched $1.5 million at Christie’s, and Phillips auctioned her ‘Buffet II’ for $730,000.
Weyant is simply 27, the youngest artist to be represented by the distinguished Gagosian artwork empire, which showcases among the most influential artists of the twentieth and twenty first centuries in 16 industrial galleries around the globe. The large sums fetched by her works have made her some of the sought-after younger artists within the worldwide circuit.
Meteoric rise to stardom
A 12 months after graduating in high-quality artwork from the Rhode Island College of Design in 2017, Weyant moved to New York and started helping artist Cynthia Talmadge, who promoted her work on her personal Instagram account. She additionally launched Weyant to artwork supplier and curator Ellie Rines, proprietor of the New York gallery ’56 Henry’. It was Rines who helped Weyant make her preliminary gross sales.
In 2019, Weyant’s work and drawings reportedly offered at Upstairs Artwork Truthful at Hamptons for $450 a bit. The identical 12 months, she had her first solo at Rines’s gallery, titled “Welcome to the Dollhouse”, which made a direct reference to Todd Solondz’s 1995 movie of the identical title. A word on the exhibition stated Weyant’s works circled “round questions of youth and adolescence — with the depraved actuality of rising up”.
The present was offered out. In 2020, Weyant’s work appeared on the quilt of ‘New American Painters’, which was juried by critic Jerry Saltz. By 2021, Weyant was being represented by Blum & Poe gallery in Los Angeles, and her works have been reported to be promoting for practically $50,000 every.
Round this time, she was seen by 77-year-old Larry Gagosian, founding father of the billion greenback artwork empire. This fall, she is scheduled to have an exhibition with the Gagosian, New York. Weyant can also be at present courting Larry Gagosian.
In June 2021, at her public sale debut at Phillips, Weyant’s Untitled drawing of lengthy naked legs fetched $27,720, practically 4 occasions its estimated value.
Adolescence as an artist
In an interview with artwork market web site Artnet, Weyant, who was born in Calgary, Canada, in 1995, described her childhood as “idyllic in quite a lot of methods,” however with restricted publicity to artwork. After incomes her commencement diploma, she spent the summer season as an occasion planner for the Lincoln Heart in New York Metropolis.
Thereafter, she did a six-month course in portray on the China Academy of Artwork in Hangzhou the place, influenced by the sepia tones of town, she started to make use of a extra muted palette.
In her different interviews she has talked about a number of influences, together with the seventeenth-century Dutch masters Frans Hals and Judith Leyster, and the modern American artists Ellen Berkenblit and Jennifer Packer.
Weyant’s dominant oeuvre
In her brief, dramatic profession up to now, Weyant has come to be identified primarily for depictions of nonetheless life, girls, and baby-faced protagonists as they undergo a whirlwind of feelings from heartbreak to doing pilates, introspecting, dealing with horrors, and easily having an excellent time.
The 2020 oil ‘Falling Girl’ reveals a girl the other way up with partially uncovered breasts; within the oil ‘Free Screw’, a girl is laughing alongside in a bar, trying considerably lonely.
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The usually reasonable portrayals are dominated by a muted color palette of black, greys, and browns. Explaining her work course of in a 2021 interview to the journal ‘Artwork & Object’, Weyant stated: “I begin by making a collection of sketches and constructing a fundamental set or maquette. I often use a mannequin and/or a model. Images will also be an incredible device.”
A word on the Gagosian web site says, “Weyant’s exactly rendered work depict figures embroiled in tragicomic narratives, and still-life compositions through which on a regular basis objects undertake an uncanny, portentous air.”